{"id":279,"date":"2014-06-10T16:37:52","date_gmt":"2014-06-10T07:37:52","guid":{"rendered":"http:\/\/blog.peatix.com\/article\/singapore-theatre-speaking-directly-with-your-audience-with-peatix"},"modified":"2015-08-11T22:39:52","modified_gmt":"2015-08-12T02:39:52","slug":"singapore-theatre-speaking-directly-with-your-audience-with-peatix","status":"publish","type":"post","link":"https:\/\/eventblog.peatix.com\/organizer\/singapore-theatre-speaking-directly-with-your-audience-with-peatix\/","title":{"rendered":"Singapore Theatre: Speaking directly to your audience with Peatix"},"content":{"rendered":"

As Peatix approaches our first anniversary<\/a> in Singapore, we look back at our year in Singapore theatre.<\/p>\n

\u2014<\/p>\n

Technology and the theatre experience<\/strong>
In today\u2019s world, we record every minor road accident, then upload it to Youtube. We nurture relationships over social media and chat apps, when we used to express love writing letters.<\/p>\n

How technology exposes our emotional conversations was the theme examined by the theatre productions Poor Thing by The Necessary Stage<\/a> and Scroll by Bound Theatre<\/a>.<\/p>\n

\"Scroll<\/p>\n

Technology is also shaping how theatre audiences interact with plays real-time. For example, during Poor Thing, a production that explores what drives road rage in Singapore, the audience was encouraged to log on to Facebook<\/a> and comment on the online videos.<\/p>\n

<\/p>\n